The Print Project

Ante – Bookfair, Exhibition & Art Factory – May 5th & 6th 2012

Exhibitions, Letterpress, Process, self-publishing, Typography, Zine Fair

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Ante-ART, ShipleyAnte-ART, Shipley“Ante takes the idea of art and scrapes off the dogma, the commercialism and the elitism. Ante explores and celebrates the use of art and print as an expression of free will and a megaphone for those whose collective voices struggle to be heard.

Ante is Shipley’s May Day celebration, taking place at the Kirkgate Centre on the 5-6th May. Saturday starts with a small press, zine and print fair followed by a benefit gig. Sunday is an ante-Art factory – dress for mess and produce your own £25million masterpiece. Ante-exhibition all weekend.”

Lots of great things happening with this event, and did we mention we printed the flyers on the left?

Ante-ART, Shipley

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Garage Grumbles: The Lost Episode

Garage Grumbles, Printing, Process, The Cunningham Amendment

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After many months of searching the information super highway, we finally found this ‘lost’ episode of Garage Grumbles by The Good Doctor…just in time for spring.

“Bits of me are suffering from the months of prolonged exposure to the cold. It’s the body’s peripheral, dangly-bits that go first: Chilblains, nose tip, ears. Worse was the little finger of my right hand which stiffened and the topmost joint swelled up painfully. The little finger is essentially redundant when composing type. It’s the thumb and first three fingers that do the work. Hence I have a pinkie that hurts at the slightest sign of a cool breeze. Years back some wag sent me a knitted willy-warmer. I dug it out last week and used it has a pinkie-glove. Alas, it was too big. So I’ve taken to strapping my finger up with masking-tape. Me and my body have had some good times — bad times too — and it’s a trifle disconcerting to watch bits of it drop off.”

—The Good Doctor
The R. Supward Press Winter 2011

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DIY Protection Racket

DIY, Music, Process

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“The Nail That Sticks Up Gets Hammered Down” — Born Against

“A lot of people seeking careers in creative industries like to misuse the DIY label as a means of getting a ‘foot on the ladder’ upwards into their chosen career, whatever that might be.”

Sarah busts out the hammers over at her blog:
http://sjbradleybooks.blogspot.com/2012/02/diy-protection-racket.html

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Forme Friday: PRINT SNOT DEAD

Exhibitions, Forme Friday, Letterpress, Printing, Process, Proof Press, Wood Type

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PRINT SNOT DEAD forme using a rather battered 22 line De Little Condensed Grotesque.

The poster was created for the Leeds Print Festival 2012 exhibition.

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Forme Friday: A Serious Waste of Time

DIY, Forme Friday, Letterpress, Printing, Process, Recycled

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Something we did recently for Andy Abbott of The Obscene Baby Auction.

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Leeds Print Festival. PRINT IS DEAD.

DIY, Exhibitions, Ink, Leeds Print Festival 2012, Letterpress, Paper, Process, Typography

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If you’ve already had one of these in the post then you’ll know what it’s all about, if not — here’s a sneak peek at the invites we’ve printed for the opening evening of the Leeds Print Festival on 27th January.

032 Red & Black on 700gsm GF Smith Colorplan.

Picture robbed from @LPF2012, thanks.

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Days out in the letterpress scrapyard

Adana, Letterpress, Old print shop, Platen, Printing, Process, Recycled

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The week before Christmas, we had a tip-off about a closing letterpress shop in a mysterious Yorkshire location. It was a decades-old place, once run by a man in his eighties, with plenty to salvage. They had plenty of type, blocks, and everything else the letterpress aficionado needs, or so went the rumour we’d heard. You can’t say no to an offer like that, so we jumped in the car and hopped to it.

Where was it? It’s hard to say exactly. It was very rainy, and my sat-nav kept trying to make me drive through a row of houses. But we found the place eventually, upstairs from a narrow little house in a narrow little back street.

“This place,” we were told by the man’s son, “used to be a thriving business in the seventies.” When he’d been first set to work there at the age of 26, thirty or so years ago, they’d had six people working in the print shop, a space the size of a generous box room. There were two people compositing, he and his dad locking up, and two people printing and finishing. One time, a woman in a rush to finish a job quickly had put her hand in the platen press to retrieve a falling envelope, and got her fingers caught. “We haven’t used that press since the 90s,” the son said. “There’s no money in it these days.”

But what a gem of a place it was. Under stacks of paper and old set-up printing jobs from the old days, we kept finding gems. Dozens of chases, and three boxes of old printing blocks; buckets of quads, and quoins and mini-quoins and quoin keys lying around everywhere; high jumbles of furniture that almost covered the windows.

 

Down in the bottom corner of the room were cabinets and cabinets of type, and a press thick with dust that had started gathering from the last time it had been used. “Can we move in tomorrow?” we asked.

Unfortunately, the option of moving into the print shop as is was not open to us. There were plenty of treasures to be seen, though, and we spent a happy hour looking through type and lead to find things we wanted – and there was plenty of it…

 

 

As if that wasn’t enough for a fine letterpress day out, there was yet more fun to be had afterwards. We had an appointment to pick up an 8×5 Adana, donated to us by a lady we met at the Manchester & Salford Anarchist Book Fair. It wasn’t seeing a lot of use and she was keen for it to go to somebody who would get to work with it – which we definitely will.

Jumping back in the car, we headed across to the Wrong Side of the Pennines to get it. It was being stored in an artists’ studio in an old mill.

 

 

 

As a bonus to the press itself, there was some paper, loads of instruction books, and lots of little trays of type. It was all stuff that will get put to use. The portable stuff will mean that we’ll be able to offer letterpress workshops at some point in the future… keep watching for more news on that.

We came home extremely tired but very excited, with a portable press and several sets of cool new printing blocks to our name.

 

Special thanks to Tess for the donation, and to Jim at Pool Arts for helping us out. You can be assured that the Adana will see plenty of use by us in the future!

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Forme Friday: Cops & Robbers

DIY, Forme Friday, Letterpress, Process, Univers

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This weeks Forme Friday “knit jumper” couldn’t be more appropriate for this time of year when a high proportion of people will be sporting some hideous whacky ‘seasonal’ knitwear.

This forme was part of the work we did for the October 2011 issue of Cops & Robbers.

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Forme Friday: Helvetica Bold 36pt

Forme Friday, Letterpress, Process, Proof Press, Typography

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Locked up in a galley for proofing and then printed on 600gsm Cranes Lettra Flourescent White.

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Dove Street Pottery

Printing, Process, Typography

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Nice post about the business cards we printed for Dove Street Pottery. Thanks David!

http://thehopefulpotter.wordpress.com/

Photographs of the cards will appear in our works section soon.

 

 

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