The Print Project

1 in 12 letterpress workshops

1in12 Club, carrying printing presses up four flights of stairs, Letterpress, Platen, Printing, workshops

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Last Saturday we did the first of our long-promised workshops, at the world-famous 1 in 12 club in Bradford. The idea was to introduce the interested into the bizarre and wonderful, and exhilaratingly speedy, world of letterpress. The day began in the cellar, with some exciting Arab action. (Participants weren’t able to run the Arab, but were able to watch it work as Nick printed the first colour for the cards they were later to print.)

Then it was up four flights of stairs to the library for some typesetting. Lovely, lovely typesetting. Participants had thought beforehand about what text to set, and had the choice of four typefaces to use in their cards.

Each had a compositing stick, a galley (a galley is a steel tray much like a baking tray, but you wouldn’t want to eat your dinner off it) and furniture and quoins for their forme.

Then it was time to ‘lock up’ and put the chases in the Adana.

Everybody seemed really chuffed with the end results.

Please keep your eyes open for more information on future workshops.

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Garage Grumbles: Music

Adana, Garage Grumbles, Letterpress, Music, Platen, Printing, The Cunningham Amendment

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The Cunningham Amendment - Garage GrumblesLetterpress involves long hours alone. Every part of this ancient craft is unique. And it’s only the compositor who can sort the problems that crop. There are no help- lines, software or replacement parts. However, once the problems have been sorted, a lot of the work can be repetitive. Like lone yachtsmen and desert hermits it is work that has an effect on the psyche. It’s easy to get lost in day-dreams. I rely a lot on music for company. I discovered years ago the magic and the complexity of opera. I can sometimes plan an act of an opera to coincide with a particular printing task.

Extended repetitive movements continue to cause damage to a variety of my bodily joints. Music helps in the physical breaks.  At particular points in the opera I can begin vigorously conducting along to a heartily sung aria. As far as I know no one sees me doing this and share it with you under conditions of confidentiality.

But the music is not always classical. Taste and mood change with the work.  I always say that if you don’t like rock n’ roll then you haven’t got a soul. My sound system dates from yesteryear and I occasionally visit charity shops where it’s possible to pick up cassettes for 10p a go. Once when printing I was pondering over a storyline about a church whose tea urn had been laced with something special. In my head I had the vicar chasing the lady on flower rota; the choir adopting the lotus position; and then, on a cassette playing rock from the 50’s, I heard “Happy Organ” by Dave Baby Cortez (try it on youtube!). Wow. I was immediately into Miss Timpson doing an imaginative striptease down the church aisle.

Life can be pretty exciting in the garage.

—The Good Doctor
The R. Supward Press Spring 2012

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Garage Grumbles: The Lost Episode

Garage Grumbles, Printing, Process, The Cunningham Amendment

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After many months of searching the information super highway, we finally found this ‘lost’ episode of Garage Grumbles by The Good Doctor…just in time for spring.

“Bits of me are suffering from the months of prolonged exposure to the cold. It’s the body’s peripheral, dangly-bits that go first: Chilblains, nose tip, ears. Worse was the little finger of my right hand which stiffened and the topmost joint swelled up painfully. The little finger is essentially redundant when composing type. It’s the thumb and first three fingers that do the work. Hence I have a pinkie that hurts at the slightest sign of a cool breeze. Years back some wag sent me a knitted willy-warmer. I dug it out last week and used it has a pinkie-glove. Alas, it was too big. So I’ve taken to strapping my finger up with masking-tape. Me and my body have had some good times — bad times too — and it’s a trifle disconcerting to watch bits of it drop off.”

—The Good Doctor
The R. Supward Press Winter 2011

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Forme Friday: PRINT SNOT DEAD

Exhibitions, Forme Friday, Letterpress, Printing, Process, Proof Press, Wood Type

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PRINT SNOT DEAD forme using a rather battered 22 line De Little Condensed Grotesque.

The poster was created for the Leeds Print Festival 2012 exhibition.

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The Jubilee Refreshment Rooms

Posters, Printing, Wood Type

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Some lovely posters on the walls at The Jubilee Refreshment Rooms in Sowerby Bridge. To get an idea of how old some of them are, look at the Lytham & Blackpool one from 1896!

A personal favourite is ‘Beware of Unauthorised Notices’ as it’s perfectly ludicrous, but entirely of it’s time. Oh and the odd spot of LOOTING could result in DEATH or PENAL SERVITUDE FOR LIFE!

If you find yourself in Sowerby Bridge it’s definately worth having a good old gawp at these and the rest of the amazing railwayana on show whilst enjoying some good locally brewed ale or a hot drink and a damn fine piece of cake.

Apologies for the lousy picture quality, the old camera phone is starting to show it’s age.

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Forme Friday: A Serious Waste of Time

DIY, Forme Friday, Letterpress, Printing, Process, Recycled

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Something we did recently for Andy Abbott of The Obscene Baby Auction.

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Days out in the letterpress scrapyard

Adana, Letterpress, Old print shop, Platen, Printing, Process, Recycled

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The week before Christmas, we had a tip-off about a closing letterpress shop in a mysterious Yorkshire location. It was a decades-old place, once run by a man in his eighties, with plenty to salvage. They had plenty of type, blocks, and everything else the letterpress aficionado needs, or so went the rumour we’d heard. You can’t say no to an offer like that, so we jumped in the car and hopped to it.

Where was it? It’s hard to say exactly. It was very rainy, and my sat-nav kept trying to make me drive through a row of houses. But we found the place eventually, upstairs from a narrow little house in a narrow little back street.

“This place,” we were told by the man’s son, “used to be a thriving business in the seventies.” When he’d been first set to work there at the age of 26, thirty or so years ago, they’d had six people working in the print shop, a space the size of a generous box room. There were two people compositing, he and his dad locking up, and two people printing and finishing. One time, a woman in a rush to finish a job quickly had put her hand in the platen press to retrieve a falling envelope, and got her fingers caught. “We haven’t used that press since the 90s,” the son said. “There’s no money in it these days.”

But what a gem of a place it was. Under stacks of paper and old set-up printing jobs from the old days, we kept finding gems. Dozens of chases, and three boxes of old printing blocks; buckets of quads, and quoins and mini-quoins and quoin keys lying around everywhere; high jumbles of furniture that almost covered the windows.

 

Down in the bottom corner of the room were cabinets and cabinets of type, and a press thick with dust that had started gathering from the last time it had been used. “Can we move in tomorrow?” we asked.

Unfortunately, the option of moving into the print shop as is was not open to us. There were plenty of treasures to be seen, though, and we spent a happy hour looking through type and lead to find things we wanted – and there was plenty of it…

 

 

As if that wasn’t enough for a fine letterpress day out, there was yet more fun to be had afterwards. We had an appointment to pick up an 8×5 Adana, donated to us by a lady we met at the Manchester & Salford Anarchist Book Fair. It wasn’t seeing a lot of use and she was keen for it to go to somebody who would get to work with it – which we definitely will.

Jumping back in the car, we headed across to the Wrong Side of the Pennines to get it. It was being stored in an artists’ studio in an old mill.

 

 

 

As a bonus to the press itself, there was some paper, loads of instruction books, and lots of little trays of type. It was all stuff that will get put to use. The portable stuff will mean that we’ll be able to offer letterpress workshops at some point in the future… keep watching for more news on that.

We came home extremely tired but very excited, with a portable press and several sets of cool new printing blocks to our name.

 

Special thanks to Tess for the donation, and to Jim at Pool Arts for helping us out. You can be assured that the Adana will see plenty of use by us in the future!

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Dove Street Pottery

Printing, Process, Typography

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Nice post about the business cards we printed for Dove Street Pottery. Thanks David!

http://thehopefulpotter.wordpress.com/

Photographs of the cards will appear in our works section soon.

 

 

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Leeds Print Festival 2012

Exhibitions, Forme Friday, Ink, Printing, Process, Typography

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We’re pleased to announce we’ll be producing a load of awesome letterpress work for the 2012 Leeds Print Festival. Watch out for updates.

Leeds Print Festival:

Celebrating traditional and contemporary print process through type and image.

26th to 31st January 2012

Leeds Gallery
York Street, Leeds LS9 8AG

The one-week Leeds Print Festival 2012 at Leeds Gallery has a programme of exhibitions, lectures, workshops, open studios and performances covering all print disciplines. This unique collection of events will deliver a dose of inspiration whilst drawing attention to print and its importance in contemporary design culture.

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Forme Friday: Eulogy Poster

Forme Friday, Printing, Process, Typography, Wood Type

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Very strange to be doing a eulogy, but it worked out really well!

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