The Print Project

Ante – what we got up to

Adana, DIY, Exhibitions, Gill Sans Bold Condensed, Letterpress, Univers, workshops

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With amazing timeliness, we bring you this post about Ante Art, and what we got up to while we were there.

Ante-art was a 100% DIY arts fair, taking place in Shipley Kirkgate Market over two days of the May Day weekend. It featured exhibits by artists and collectives such as Black Dogs, Bristow & Lloyd, Knit a Bear Face, and the Caged Bird Club, among many others. The exhibition ran all weekend, with a book fair on the Saturday, and an ‘art factory’ on the Sunday.

The art factory included an “Idiot’s Lowbrow Print Workshop” and “Knitting Takes Guts“, as well as a letterpress workshop.

Participants were invited to add, typeset and print a word to go into a collaborative sentence. Here’s how that turned out.

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Ante – Bookfair, Exhibition & Art Factory – May 5th & 6th 2012

Exhibitions, Letterpress, Process, self-publishing, Typography, Zine Fair

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Ante-ART, ShipleyAnte-ART, Shipley“Ante takes the idea of art and scrapes off the dogma, the commercialism and the elitism. Ante explores and celebrates the use of art and print as an expression of free will and a megaphone for those whose collective voices struggle to be heard.

Ante is Shipley’s May Day celebration, taking place at the Kirkgate Centre on the 5-6th May. Saturday starts with a small press, zine and print fair followed by a benefit gig. Sunday is an ante-Art factory – dress for mess and produce your own £25million masterpiece. Ante-exhibition all weekend.”

Lots of great things happening with this event, and did we mention we printed the flyers on the left?

Ante-ART, Shipley

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1 in 12 letterpress workshops

1in12 Club, carrying printing presses up four flights of stairs, Letterpress, Platen, Printing, workshops

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Last Saturday we did the first of our long-promised workshops, at the world-famous 1 in 12 club in Bradford. The idea was to introduce the interested into the bizarre and wonderful, and exhilaratingly speedy, world of letterpress. The day began in the cellar, with some exciting Arab action. (Participants weren’t able to run the Arab, but were able to watch it work as Nick printed the first colour for the cards they were later to print.)

Then it was up four flights of stairs to the library for some typesetting. Lovely, lovely typesetting. Participants had thought beforehand about what text to set, and had the choice of four typefaces to use in their cards.

Each had a compositing stick, a galley (a galley is a steel tray much like a baking tray, but you wouldn’t want to eat your dinner off it) and furniture and quoins for their forme.

Then it was time to ‘lock up’ and put the chases in the Adana.

Everybody seemed really chuffed with the end results.

Please keep your eyes open for more information on future workshops.

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Garage Grumbles: Music

Adana, Garage Grumbles, Letterpress, Music, Platen, Printing, The Cunningham Amendment

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The Cunningham Amendment - Garage GrumblesLetterpress involves long hours alone. Every part of this ancient craft is unique. And it’s only the compositor who can sort the problems that crop. There are no help- lines, software or replacement parts. However, once the problems have been sorted, a lot of the work can be repetitive. Like lone yachtsmen and desert hermits it is work that has an effect on the psyche. It’s easy to get lost in day-dreams. I rely a lot on music for company. I discovered years ago the magic and the complexity of opera. I can sometimes plan an act of an opera to coincide with a particular printing task.

Extended repetitive movements continue to cause damage to a variety of my bodily joints. Music helps in the physical breaks.  At particular points in the opera I can begin vigorously conducting along to a heartily sung aria. As far as I know no one sees me doing this and share it with you under conditions of confidentiality.

But the music is not always classical. Taste and mood change with the work.  I always say that if you don’t like rock n’ roll then you haven’t got a soul. My sound system dates from yesteryear and I occasionally visit charity shops where it’s possible to pick up cassettes for 10p a go. Once when printing I was pondering over a storyline about a church whose tea urn had been laced with something special. In my head I had the vicar chasing the lady on flower rota; the choir adopting the lotus position; and then, on a cassette playing rock from the 50’s, I heard “Happy Organ” by Dave Baby Cortez (try it on youtube!). Wow. I was immediately into Miss Timpson doing an imaginative striptease down the church aisle.

Life can be pretty exciting in the garage.

—The Good Doctor
The R. Supward Press Spring 2012

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Forme Friday: PRINT SNOT DEAD

Exhibitions, Forme Friday, Letterpress, Printing, Process, Proof Press, Wood Type

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PRINT SNOT DEAD forme using a rather battered 22 line De Little Condensed Grotesque.

The poster was created for the Leeds Print Festival 2012 exhibition.

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Nine—Five—Nine Exhibition

DIY, Exhibitions, Letterpress

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We’ve got some stuff in this, hopefeully we’ll be there early enough for one of those espresso martini’s! Maybe see you there before we pass out in a corner?

Nine—Five—Nine
‘Work Together, Play Together’

5-9pm Thursday 1st March 2012
14 Park Square East, Leeds LS1 2LE

Film Screening and publication exhibition
All are welcome / Free Entry

Refreshments will be provided including espresso martinis for the first 25 visitors.
One night exhibition in a house Park Square which has been converted into Leeds City Centre.  Video and publication responses to the themes of work, play and collaboration.

Artists and contributors include:
Kristyna Baczynski, Lucy Barker & Ben Ncm, Violaine Bergoin, Joanna Brinton, Stephanie Bryant, Clare Charnley & Patricia Azevedo, Annie Carpenter, Lex Clarke. Amy Connor, Rosie Curtis, The Den Project, Jade Ellis, Carrie Lent, Paul Matosic, Abi Mitchell & Josie Wells, The Print Project, Sam Renseiw, Michael Szpakowski, Topical Jungle, Harry van de Bospoort, Ben Warren, Philip Welding and Village Bookstore.

http://www.artinunusualspaces.co.uk/home/nine-five-nine/

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Shop Updated

1in12 Club, DIY, Ink, Letterpress, Paper, Postcards, Proof Press, Shop, Wood Type

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Added three new posters and a postcard to the SHOP.

We’re currently running really low on badges, notepads, Anarchist & You’re Not My Type posters.

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Forme Friday: A Serious Waste of Time

DIY, Forme Friday, Letterpress, Printing, Process, Recycled

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Something we did recently for Andy Abbott of The Obscene Baby Auction.

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Leeds Print Festival. PRINT IS DEAD.

DIY, Exhibitions, Ink, Leeds Print Festival 2012, Letterpress, Paper, Process, Typography

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If you’ve already had one of these in the post then you’ll know what it’s all about, if not — here’s a sneak peek at the invites we’ve printed for the opening evening of the Leeds Print Festival on 27th January.

032 Red & Black on 700gsm GF Smith Colorplan.

Picture robbed from @LPF2012, thanks.

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Days out in the letterpress scrapyard

Adana, Letterpress, Old print shop, Platen, Printing, Process, Recycled

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The week before Christmas, we had a tip-off about a closing letterpress shop in a mysterious Yorkshire location. It was a decades-old place, once run by a man in his eighties, with plenty to salvage. They had plenty of type, blocks, and everything else the letterpress aficionado needs, or so went the rumour we’d heard. You can’t say no to an offer like that, so we jumped in the car and hopped to it.

Where was it? It’s hard to say exactly. It was very rainy, and my sat-nav kept trying to make me drive through a row of houses. But we found the place eventually, upstairs from a narrow little house in a narrow little back street.

“This place,” we were told by the man’s son, “used to be a thriving business in the seventies.” When he’d been first set to work there at the age of 26, thirty or so years ago, they’d had six people working in the print shop, a space the size of a generous box room. There were two people compositing, he and his dad locking up, and two people printing and finishing. One time, a woman in a rush to finish a job quickly had put her hand in the platen press to retrieve a falling envelope, and got her fingers caught. “We haven’t used that press since the 90s,” the son said. “There’s no money in it these days.”

But what a gem of a place it was. Under stacks of paper and old set-up printing jobs from the old days, we kept finding gems. Dozens of chases, and three boxes of old printing blocks; buckets of quads, and quoins and mini-quoins and quoin keys lying around everywhere; high jumbles of furniture that almost covered the windows.

 

Down in the bottom corner of the room were cabinets and cabinets of type, and a press thick with dust that had started gathering from the last time it had been used. “Can we move in tomorrow?” we asked.

Unfortunately, the option of moving into the print shop as is was not open to us. There were plenty of treasures to be seen, though, and we spent a happy hour looking through type and lead to find things we wanted – and there was plenty of it…

 

 

As if that wasn’t enough for a fine letterpress day out, there was yet more fun to be had afterwards. We had an appointment to pick up an 8×5 Adana, donated to us by a lady we met at the Manchester & Salford Anarchist Book Fair. It wasn’t seeing a lot of use and she was keen for it to go to somebody who would get to work with it – which we definitely will.

Jumping back in the car, we headed across to the Wrong Side of the Pennines to get it. It was being stored in an artists’ studio in an old mill.

 

 

 

As a bonus to the press itself, there was some paper, loads of instruction books, and lots of little trays of type. It was all stuff that will get put to use. The portable stuff will mean that we’ll be able to offer letterpress workshops at some point in the future… keep watching for more news on that.

We came home extremely tired but very excited, with a portable press and several sets of cool new printing blocks to our name.

 

Special thanks to Tess for the donation, and to Jim at Pool Arts for helping us out. You can be assured that the Adana will see plenty of use by us in the future!

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